3DMotive – Interior Decor in 3ds Max Volume 1 室内装饰

3DMotive – Interior Decor in 3ds Max Volume 1

持续时间1小时9米项目文件包括MP4

标题：3DMotive - 3ds Max第1卷中的内部装饰

信息：
在本课程的第一部分中，我们将首先学习如何将一篇参考文献细分为一个我们可以使用的更易于管理的状态。一旦我们了解完成这件作品需要什么，我们将开始创建天花板玫瑰的底座，然后是天花板玫瑰的外饰部分。

在创建装饰部分时，我将向您展示如何创建简单和复杂的模块化平铺形状，这将为天花板增加额外的细节和复杂性，而且只需很少的努力。

在模块2中，我们将查看更详细的形状。使用我们的细分参考，我将向您展示如何创建用于创建天花板玫瑰的每件作品。我们将从简单的形状开始，仅使用3DS Max盒子建模和变形技术，然后在以后移动到更复杂的形状。一旦我们完成了我们的形状，我们将在Zbrush中为每件作品添加最终调整和抛光，以赋予它我们的目标手工制作的石膏外观。

最后在模块3中，我们将采用我们制作的零件和套件将它们拼接在一起，以创建参考中显示的大型形状。在所有形状完成后，我们可以开始变形以适应我们在模块一中创建的基础天花板玫瑰，这将使我们得到完整的模型。

然后，我们将模型带入Zbrush，使用遮罩和变形技术创建最终的奇异网格版本，并使用自定义画笔集对模型添加损坏。

3DMotive – Interior Decor in 3ds Max Volume 1

Duration 1h 9m Project Files Included MP4

Title: 3DMotive – Interior Decor in 3ds Max Volume 1

Info:
In module one of this course, we will begin by learning how to breakdown a piece of reference to a more manageable state we can work from. Once we understand what is required of us to complete the piece we will start creating the base of a ceiling rose followed by the outer trim sections of the ceiling rose.

When creating the trim sections I will show you how to create both simple and complex modular tiling shapes which will add an extra level of detail and intricacy to the ceiling rose with very little effort.

In module 2 we will be looking at the more detailed shapes. Using our broken down reference I will show you how to create each piece used to create the ceiling rose. We will start with the simpler shapes just using 3DS Max box modeling and deformation techniques and then move onto more complex shapes later on. Once we have our shapes completed we will add final adjustments and polish to each piece in Zbrush to give it the hand crafted plaster look we are aiming for.

Finally in module 3 we will take the parts we have made and kit bash them together to create the large shapes shown in the reference. After all shapes are complete we can start deforming them to fit the base ceiling rose we created in module one which will leave us with the completed model.

We then take the model into Zbrush to create a final singular mesh version using masking and deformation techniques and add damage to the model using a custom brush set.